| Exhibition name | 「After Light」cross talk event |
|---|---|
| GALLERY |
BONDED GALLERY
TERRADA ART COMPLEX Ⅱ / 4F |
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Artist /
Exhibition information |
BONDED GALLERYでは、開催中の展覧会「After Light」に関連して、10月12日(月・祝)14:00よりクロストークイベントを開催します。 本展は、今西真也、志村諭佳、金氏徹平の3名による作品を通して、光がもたらす知覚と、その先に生じる認識の変化を見つめる企画展です。 光は、ものを照らすだけでなく、反射や透過、影などを通して、私たちの知覚や認識に変化をもたらします。 「After Light」では、そうした光の作用や、その後に立ち現れる感覚やイメージに着目し、異なる表現を持つ3名の作品を通して、知覚や認識の変化を体感いただけます クロストークでは、金沢美術工芸大学 芸術学SCAPe 准教授の金島隆弘氏をモデレーターに迎え、3名の出展アーティストとともに、それぞれの制作背景や作品に対する考え、本展で交差する表現についてお話しいただきます。 展覧会とあわせて、ぜひお越しください。 After Light|クロストーク 日時|10月12日(月)14:00– 会場|BONDED GALLERY TERRADA ART COMPLEX II 4F モデレーター|金島隆弘(金沢美術工芸大学 芸術学SCAPe 准教授) アーティスト|今西真也、志村諭佳(SHIMURAbros currently on hiatus)、金氏徹平 入場無料、予約不要 |
| Session | 2026/10/12(Mon) - 2026/10/12(Mon) |
| Exhibition name | As One Draws|TSCA 20th Anniversary Group Exhibition |
|---|---|
| GALLERY |
Takuro Someya Contemporary Art(TSCA)
TERRADA ART COMPLEX Ⅰ / 3F |
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Artist /
Exhibition information |
Takuro Someya Contemporary Art is pleased to present As One Draws|TSCA 20th Anniversary Group Exhibition, on view from Saturday, August 15 through Saturday, October 17, 2026. 【Participating Artists】 Austin Lee|オースティン・リー Chinoko Sakamoto|坂本紬野子 Enrico Isamu Oyama|大山エンリコイサム Goro Murayama|村山悟郎 Harm van den Dorpel|ハーム・ファン・デン・ドーペル Hideki Makiguchi|牧口英樹 Kaai Tsuji|辻可愛 Kenjiro Okazaki|岡﨑乾二郎 Mai Yamashita + Naoto Kobayashi|山下麻衣+小林直人 Masaru Iwai|岩井優 Mayumi Hosokura|細倉真弓 Motomasa Suzuki|鈴木基真 Rafaël Rozendaal|ラファエル・ローゼンダール Ryoichi Kurokawa|黒川良一 Shuhei Ise|伊勢周平 Yoshitaka Yazu|矢津吉隆 【Hours】11:00-18:00 【Closed】Sun, Mon and National Holidays |
| Session | 2026/08/15(Sat) - 2026/10/17(Sat) |
| Exhibition name | Rhizomatiks 'After Understanding' |
|---|---|
| GALLERY |
KOTARO NUKAGA
TERRADA ART COMPLEX Ⅱ / 1F |
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Artist /
Exhibition information |
KOTARO NUKAGA Tennoz is pleased to present ‘After Understanding’, a solo exhibition by Rhizomatiks, from Sep 12 – Oct 17, 2026. At the heart of the exhibition is a plotter that continuously engraves a single, unbroken line into a rotating stainless steel disc using a diamond stylus. The line never breaks, and once a groove has been cut, it can neither be erased nor redrawn. The exhibition presents the working plotter alongside completed metal works. As the plotter continues to engrave throughout the exhibition, the condition of the disc changes with each visit. Knowledge has long relied on human understanding. That order is shifting: phenomena now act before we grasp them. This exhibition frames that gap as movement: things keep emerging before us, knowable in rule, visible in outcome, never fully retraceable. What do we see, believe, and answer for? ■Opening Reception: Sep 12 16:00 – 18:00 【Hours】11:30-18:00 【Closed】on Sun, Mon and Public Holidays (Open on Sep 13) |
| Session | 2026/09/12(Sat) - 2026/10/17(Sat) |
| Exhibition name | Youki Hirakawa "Intolerance" |
|---|---|
| GALLERY |
STANDING PINE
TERRADA ART COMPLEX Ⅰ / 3F |
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Artist /
Exhibition information |
STANDING PINE is pleased to present Intolerance, a solo exhibition by Youki Hirakawa, opening on Saturday, 19 September 2026. Hirakawa creates works that read the information embedded within everyday objects, excavating the histories and political dimensions that emerge from them. In this exhibition, he examines the process by which institutions, values, and ways of life—brought to Japan primarily from the United States after World War II—were accepted and became established within Japanese society, linking this process to his own memories and physical experiences, and framing it as an issue that continues to the present day. Intolerance / 2025, from which the exhibition takes its title, is constructed from two old milk churns combined to resemble an unexploded bomb. In post-war Japan, powdered skimmed milk supplied as aid, together with the widespread introduction of school lunches centred on bread and milk, brought significant changes to the Japanese diet. Hirakawa examines this Westernisation of food not only in relation to the policies of the Occupation, but also through the lens of biopolitics, considering state-led nutritional management and intervention in the body. From there, his enquiry extends to what he describes as a form of “food colonialism”. Through the works, Intolerance approaches from different angles the ways in which the past remains inseparable from the present, continuing to act upon our everyday lives. We invite you to encounter Youki Hirakawa’s practice, which brings to the surface the histories embedded in ordinary life and the political structures that lie beneath them. ■Opening Reception: September 19 at 17:00 – 19:00 (the artist in attendance) 【Hours】12:00 – 18:00 【Closed】Sundays, Mondays, and national holidays |
| Session | 2026/09/19(Sat) - 2026/10/17(Sat) |
| Exhibition name | Goyo Gallery × AWASE gallery 共同企画展「物極必反」|Curated by Mizuki Endo |
|---|---|
| GALLERY |
Goyo Gallery
TERRADA ART COMPLEX Ⅱ / 3F |
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Artist /
Exhibition information |
10月3日(土)より10月24日(土)まで、Goyo Galleryにて、AWASE galleryとの共同企画展「物極必反」を開催いたします。 「物極必反」は、物事が極まると必ず反転する、という中国の故事成句です。何事につけ限度を超えると、それは反対のものへと変貌していく。本展では、この言葉を「既存の価値規範に従いながら、より高い価値へと極端に寄せ続けることを、いま一度立ち止まって考える」という視点へと読み替えます。 本展は、キュレーター・遠藤水城による構想のもと、「映像」「絵画」「イベント」「印刷物」という四つのカテゴリーによって構成されます。それぞれは一見すると互いに無関係でありながら、同じ空間のなかで並列し、緩やかに交差します。異なる実践が互いを補完するのではなく、それぞれの自立性を保ったまま共存することで、一つの展覧会としての新たな風景が立ち上がります。 映像作家・青山真也、画家のヤンニス・アリストテルス、山田康平、美術同人誌〈泉〉を主宰する永田奈々禾、エディトリアルデザイナー・森大志郎が参加し、それぞれ異なる実践を展開します。 Goyo GalleryとAWASE galleryによる本企画は、異なる背景や価値観が交わることで、新たな展覧会のあり方を模索する試みです。ぜひ会場で、それぞれの実践が交差することで生まれる、新たな展覧会のかたちをご体感ください。 【開廊時間】12:00 – 19:00 ※水曜日は13:00 – 19:00 【最終日】 12:00 – 17:00 【休廊日】日・月 |
| Session | 2026/10/03(Sat) - 2026/10/24(Sat) |
| Exhibition name | After Light |
|---|---|
| GALLERY |
BONDED GALLERY
TERRADA ART COMPLEX Ⅱ / 4F |
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Artist /
Exhibition information |
Warehouse TERRADA (Shinagawa, Tokyo; President & CEO: Kohei Terada) will host the exhibition "After Light" at the gallery space BONDED GALLERY from Friday, October 2, 2026, to Saturday, October 24, 2026. This exhibition explores the perception brought by light and the shifting awareness that emerges beyond it through the works of three artists: Shinya Imanishi, Yuka Shimura, and Teppei Kaneuji. Light does not merely illuminate objects; it interacts with materials through reflection, transmission, and shadow creation, casting a wide array of expressions onto our visual experience. Furthermore, familiar objects transform in meaning and contour when placed within different contexts or relationships. Shinya Imanishi highlights the relationship between light and matter through heavily layered oil paintings carved out to create shadow-rich textures. Yuka Shimura applies optical principles to relief sculptures, offering a perceptual experience where transmitted light and color transform space. Teppei Kaneuji connects found images and objects through collage techniques to challenge and shift the meanings and relationships of his subjects. Through these three distinct expressions, visitors can experience the shifts in perception and awareness that emerge in the "aftermath" of light. 【Hours】12:00 - 18:00 【Closed】Oct. 4 (Sun), Oct. 5 (Mon), Oct. 6 (Tue), Oct. 13 (Tue), Oct. 18 (Sun), and Oct. 19 (Mon) |
| Session | 2026/10/02(Fri) - 2026/10/24(Sat) |
| Exhibition name | A solo exhibition by Yutaka Hashimoto, “Study for Null #008” |
|---|---|
| GALLERY |
YOD Gallery
TERRADA ART COMPLEX Ⅱ / 2F |
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Artist /
Exhibition information |
This exhibition at YOD Gallery in Tennoz, Tokyo, will present a solo exhibition by Yutaka Hashimoto, “Study for Null #008,” from October 10 (Sat) to October 24 (Sat), 2026. At YOD TOKYO, our Omotesando space in Tokyo, Hashimoto will simultaneously present “Study for Null #007,” from October 9 (Fri) to October 21 (Wed), 2026. What Yutaka Hashimoto has been exploring is not the human figure itself, but the question of what we rely on to recognize an image as a figure and to give it meaning. A few lines, the arrangement of forms, an outline, a posture or movement—these alone can be enough for us to perceive a human being. We may not know who someone is, yet we can recognize that they are human. “If we do not know who someone is, why do we still recognize them as human?” This is the question Hashimoto is currently exploring. The series title “Study for Null” refers to 《Study for Null》, or “Study for Nothingness.” For Hashimoto, “null” does not mean a state in which nothing exists. Nor does it mean bringing different things together into a single whole or eliminating difference itself. Rather, it refers to a state in which differences can coexist simultaneously, without being sorted according to superiority or inferiority, correctness or error. The works are positioned not as “null” itself, but as studies toward reaching such a state. In this exhibition, Hashimoto revisits the figure of the “human” that he has explored throughout his practice from the perspectives of movement and time. At the center of the exhibition is a series of drawings composed of twelve sheets of paper, forming a sequence of movement based on the chronophotographic studies of photographer Eadweard Muybridge. [Gallery Hours] 11:30 – 18:30 [Closed] Sundays and Mondays *Special Opening Days: October 11 (Sun) and 12 (Mon/Holiday) *Special Opening Hours (MEET YOUR ART FESTIVAL 2026): October 10 (Sat) & 11 (Sun): 11:00–20:00; October 12 (Mon/Holiday): 11:00–18:00 |
| Session | 2026/10/10(Sat) - 2026/10/24(Sat) |
| Exhibition name | a solo exhibition by Towa Takaya "Threshold of Emergence" |
|---|---|
| GALLERY |
Tokyo International Gallery
TERRADA ART COMPLEX Ⅱ / 2F |
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Artist /
Exhibition information |
Tokyo International Gallery (Shinagawa–Tennoz, Tokyo) is pleased to announce Threshold of Emergence, a solo exhibition by Towa Takaya, on view from Wednesday, September 9 to Saturday, October 24, 2026. Exquisite colors, elaborate texture, and a wavering, unique depth—these qualities that characterize Takaya’s paintings are achieved not only through commercial paints and pigments, but also through coloring materials she makes herself from ingredients with distinctive optical properties, such as polarizing pearl, metal, and CO2-derived polymer, as well as materials derived from specific regions, such as earth, ash, and minerals. What underlies her practice of layering diverse materials is a perspective that sees the world not as something that exists independently, outside of oneself, but as what emerges as an experience through the mutual interference between body and things. This exhibition, too, can be located in the extension of this perspective. This perspective has deepened into more specific questions, especially since she began working with diverse materials. In recent years, Takaya’s interest has shifted from expressing color in itself to the behavior of materials that give rise to color. How materials manifest different phases and transform the experience of seeing —in relation to light, environment, viewpoint, and body—has become the central question of her current practice. Since images are not fixed entities but phenomena that emerge differently each time, the viewer’s body also forms part of the place in which the image-world emerges. Placing one’s body before the artworks, shifting one’s position, and yielding to the surrounding environment—such an experience opens only in this place. We invite you to experience what world emerges through the interplay of body, material, and the light and space of Tokyo International Gallery. 【Hours】10:00-19:00 【Closed】on Sundays, Mondays and Holidays (Tuesdays by appointment only) |
| Session | 2026/09/09(Wed) - 2026/10/24(Sat) |
| Exhibition name | Ryosuke KAWAHIRA solo exhibition "One Brief Memory" |
|---|---|
| GALLERY |
gallery UG Tennoz
TERRADA ART COMPLEX Ⅱ / 2F |
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Artist /
Exhibition information |
gallery UG Tennoz is pleased to present “One Brief Memory,” a solo exhibition by gallery artist Ryosuke KAWAHIRA, on view from Friday, October 9 through Saturday, October 31, 2026. 【Hours】11:30-18:30 【Closed】Sundays and Mondays |
| Session | 2026/10/09(Fri) - 2026/10/31(Sat) |
| Exhibition name | 小林耕平個展「反省サイクル 絵/空/事」 |
|---|---|
| GALLERY |
ANOMALY
TERRADA ART COMPLEX Ⅰ / 4F |
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Artist /
Exhibition information |
ANOMALYでは、Art Week Tokyo期間をまたぐ2026年10月10日(土)より11月8日(日)まで、小林耕平個展「反省サイクル 絵/空/事」を開催いたします。 今回の個展「反省サイクル 絵/空/事」は、「絵/空/事」という3つの「場」を行き来することで、作品を見ること、そして自分自身の見方を見つめ直すことをテーマとした展覧会です。 ここでいう3つの「場」とは、キャンバスに描かれた「絵」、YouTubeなどを介して広がる「空」、そして現実の展示空間であるギャラリー「事」。それぞれ異なる性質を持つ3つの場が相互に作用することで、作品と鑑賞者の関係が揺さぶられていきます。 作家がいう「反省サイクル」とは、作品を一方的に理解するのではなく、「見る」という行為を通して、作品と自分自身の見方の双方を捉え直していく運動です。 私たちは未知のものを目にしたとき、記憶や経験、既に知っているイメージを手がかりにして意味を与えようとします。しかし、そのとき作品を見ているつもりで、実は自分自身の中にある「ものの見方」を作品に重ねているのかもしれません。 本展では、そうした作品と鑑賞者のあいだにある境界を「/(スラッシュ)」という記号によって捉えます。スラッシュは、こちら側と向こう側を分ける線であると同時に、平面を横から見たときに現れる「面」の姿でもあります。その境界を隔てて作品を見るとき、私たちは何を見ているのか。そして、目の前の作品から何を連想し、どのような「場」を自分の中につくり出しているのか。 「絵は空によって、空は事によって、事は絵によって鑑賞される」という作家の言葉のように、3つの場は互いを照らし出しながら、その都度、異なる意味を生み出します。作品を見ることによって、作品そのものだけでなく、それを見ている自分の世界の配置までもが少しずつ組み替えられていく。本展は、そうした鑑賞と変化の循環を、絵画、映像、空間を通して体験する試みです。 ■オープニングレセプション:2026年10月10日(土)17:00-19:00 ※作家が在廊いたします 【開廊時間】12:00-18:00 【休廊日】日・月 ※11月8日(日)はArt Week Tokyoにつき開廊 ※Art Week Tokyo開催期間中の開廊時間:11月4日(水)〜11月8日(日) 10:00-18:00 |
| Session | 2026/10/10(Sat) - 2026/11/08(Sun) |
| Exhibition name | Shiori Higashiyama Solo Exhibition "walking / mesh" |
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| GALLERY |
ANOMALY
TERRADA ART COMPLEX Ⅰ / 4F |
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Artist /
Exhibition information |
ANOMALY is pleased to present walking / mesh, a solo exhibition by Shiori Higashiyama, from October 10 to November 8, 2026. Higashiyama has focused on the “boundaries” that emerge between people, and between people and their surroundings, exploring through painting how we create distance between ourselves and the outside world in order to protect ourselves. Her research for her work begins with stories and personal experiences and draws on a wide range of structures and images that separate, protect, or sometimes confine people and objects: weapons and protective gear, formation diagrams (battle formations), walls, fences and hedges, shelters, ruins, tents, mattresses, and more. These motifs are meticulously rendered on supports such as Japanese paper and cotton fabric using colored pencil, watercolor, egg tempera, and other media. A defining feature of Higashiyama’s paintings is the recurring presence of lines and grids alongside these concrete motifs. While walls, hedges, barbed wire, and other elements evoke obstruction and defense, lines running across the picture plane and intricate grids form geometric patterns that recur with subtle variations in shape, scale, density, and placement. A boundary enclosing one area becomes the contour of another, from which yet another division emerges. Through their repetition and overlap, these lines and grids do more than divide the picture plane: they generate a distinctive sense of depth and spatial dislocation. 【Hours】12:00-18:00 【Closed】Sundays, Mondays, and holidays *Open on 11.8 (Sun) for Art Week Tokyo *Opening hours during Art Week Tokyo: 11.4 (Wed) – 11.8 (Sun) 10:00-18:00 |
| Session | 2026/10/10(Sat) - 2026/11/08(Sun) |
| Exhibition name | Hiroto Tomonaga “Wrinkled Landscape” |
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| GALLERY |
KOSAKU KANECHIKA
TERRADA ART COMPLEX Ⅰ / 5F |
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Artist /
Exhibition information |
KOSAKU KANECHIKA is pleased to present a solo exhibition by Hiroto Tomonaga, on view from October 10 through November 21, 2026. Tomonaga seeks to capture—and translate into painting—those fleeting moments when the objects before his eyes suddenly appear different. The shifts occurring within the artist’s vision are gradually transformed into the material qualities of the paint itself, becoming fixed upon the canvas. While the resulting image is static, it holds the promise of future movement—a reflection of the artist’s own sense of rootlessness in relation to the world before him. A significant shift in his recent work lies in the deliberate attempt to have colors and forms counteract one another, seeking a point of equilibrium between them on the canvas. He manipulates the depth of the picture plane by layering colors, scraping them away, and forcefully pounding the paint in with heavy brushstrokes. Through the accumulation of these actions, the colors naturally recede, guiding the image toward a state of extremely low saturation and contrast. Consequently, the work takes on a quality of "weakness" that, at first glance, appears precarious. Yet, what emerges on the canvas is an effect of exquisitely subtle perception. At the fine boundaries where layers of scraped-back paint contend with one another, colors that might have seemed to cancel each other out instead interact, causing hues not actually present to materialize before the viewer’s eyes. Deep within the picture plane—beneath the interplay of offsetting elements—myriad reactions teem; these coalesce into a quiet yet undeniable intensity that presses upon the viewer’s very body. ■Opening Reception: October 10 Sat at 5 pm – 7 pm 【Hours】11:00 – 18:00 【Closed】on Sun, Mon and National Holidays |
| Session | 2026/10/10(Sat) - 2026/11/21(Sat) |
| Exhibition name | #47 Toshikatsu Endo, Mitsuko Miwa |
|---|---|
| GALLERY |
SCAI PARK
TERRADA ART COMPLEX Ⅰ / 5F |
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Artist /
Exhibition information |
Wed. 9 September - *To be decided Viewable through the windows. 【Hours】12:00 – 18:00 【Closed】Sundays, Mondays, and national holidays |
| Session | 2026/09/09(Wed) - 2026/12/31(Thu) |
| Exhibition name | THE HIRAKO HOUSE TOKYO |
|---|---|
| GALLERY |
THE HIRAKO HOUSE TOKYO
TERRADA ART COMPLEX Ⅱ / 3F |
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Artist /
Exhibition information |
【MEET YOUR ART FESTIVAL期間中営業日時】 10月9日(金): 11:30-21:30 10月10日(土): 11:30-20:00 10月11日(日): 11:30-20:00 10月12日(月祝): 11:30-18:00 ------- 2024年の奈義町現代美術館での個展「IDEAL LANDSCAPE」で発表した大型の立体作品《Wooden Wood 74》や、2025年の岡山県立美術館の個展「ORIGIN」での作品を中心に、新作のペインティングとあわせて展示しています。 スペース内には、新たに制作された完全オリジナルのピンボールマシンも設置しています。ゲームをプレイすると、新色を含めたオリジナルフィギュアを手に入れることができます。どのカラーが出てくるのかは、チャレンジしてからのお楽しみ。アート鑑賞の合間に、遊び心あふれる新作のピンボールマシンにぜひ挑戦してみてください。 また、Yuichi Hirako 公式グッズや「THE HIRAKO HOUSE TOKYO」限定のオリジナルトートバッグも販売中です。 【開廊時間】11:30-18:00 【休廊日】日・月・火・水・木・祝 ※休廊日におきましても、展示作品はガラス越しにご覧いただけます。 ※イベント開催時期などは不定期で営業する場合がございます。最新情報は公式SNSをご確認ください。 |
| Session | 2026/03/12(Thu) - 2026/12/31(Thu) |
| Exhibition name | "ART KOGEI", a limited-time exhibition of Japanese Art and Craft |
|---|---|
| GALLERY |
ART KOGEI
TERRADA ART COMPLEX Ⅱ / 3F |
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Artist /
Exhibition information |
Warehouse TERRADA will host "ART KOGEI," a limited-time exhibition and sales space highlighting current forms of expression rooted in materials and techniques. Rather than treating "fine art" and "craft" as fixed, distinct categories, "ART KOGEI" focuses on the multifaceted elements that constitute a work—including materials, technique, physicality, form, philosophy, and connection to the land. A artwork is not only an individual artist's expression; it is also born from the inherent qualities of materials, accumulated techniques, the creative environment, and ties to region and culture. By expanding the viewer's perspective from simply observing a finished piece to contemplating the underlying creative process, artist’s mindset, materials, craftsmanship, and place of origin, this space invites visitors to reconsider art from new angles. Through the continuous introduction of diverse practices, ART KOGEI presents the current landscape of Japanese art and craft, alongside the potential for new expressions emerging from it. Hours: 1:00 PM – 6:00 PM Closed: Irregularly |
| Session | 2026/09/10(Thu) - 2027/01/30(Sat) |
| Exhibition name | Gentaro Ishizuka solo exhibition "Glacier Diary" |
|---|---|
| GALLERY |
KOTARO NUKAGA
TERRADA ART COMPLEX Ⅱ / 1F |
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Artist /
Exhibition information |
KOTARO NUKAGA Tennoz is pleased to present ‘Glacier Diary’, a solo exhibition by Gentaro Ishizuka, from October 31 to December 19, 2026. 【Hours】11:30-18:00 【Closed】Sun, Mon and National Holidays |
| Session | 2026/10/31(Sat) - 2026/12/19(Sat) |
| Exhibition name | 光る音展 |
|---|---|
| GALLERY |
BONDED GALLERY
TERRADA ART COMPLEX Ⅱ / 4F |
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Artist /
Exhibition information |
光と音のうごきが重なり、視覚と聴覚がシンクロする心地よさ。 鏡に反響し、水に弾み、植物の影を踊らせる光と音。異なる物質と現象が互いに作用し、リズムを刻む。 『光る音展』は、創業20周年を迎えたSTARRYWORKS inc. が今も手を動かしながら続けている実験や、つくってみたかった体験、そして、その過程で見つけた“まだ名前のない感覚”をめぐる体験型展示です。 主催:STARRYWORKS inc. 展示名:光る音展 ・開催期間: 2026年11月4日(水)〜 11月8日(日) ・開館時間: 11:00 〜 19:00 ・入場料: 1,000円(小学生以下 無料)※事前チケット販売なし ・決済方法: クレジットカード / 電子マネー / 二次元バーコード決済 |
| Session | 2026/11/04(Wed) - 2026/11/08(Sun) |